Ana Janevski is a curator in the Department of Media and Performance. She has organized more than 30 performances by artists including Yvonne Rainer, Simone Forti, Trajal Harrell, Boris Charmatz, Jérôme Bel, Anne Teresa De Keersmaeker, and Rabih Mroué, among others. She has been involved in the programming of MoMA’s Marie-Josée and Henry Kravis Studio, where she curated Nora Turato: pool 5 (2022), Studio Residency: Okwui Okpokwasili (2022), David Tudor and Composers Inside Electronics Inc.: Rainforest V (variation 1) (2019), and Sung Hwan Kim: Temper Clay (2021, with Martha Joseph). Her collaboratively organized exhibitions at MoMA include Judson Dance Theater: The Work Is Never Done (2018), with Thomas (T.) Jean Lax and Martha Joseph; Scenes for a New Heritage: Contemporary Art from the Collection (2016), with Eva Respini and Sarah Suzuki; and Projects 100: Akram Zaatari (2103), with Eva Respini. From 2007 to 2011, she held the position of curator at the Museum of Modern Art in Warsaw, where she curated, among many other projects, the large-scale exhibition and accompanying publication As Soon As I Open My Eyes I See a Film, which focused on Yugoslav experimental film and art from the 1960s and 1970s (2011). She regularly contributes to and co-edits publications on performance, the body, and the history of art in Eastern Europe. She received her MPhil at L’École des hautes études en sciences sociales (EHESS) in Paris and her MA at Sorbonne Nouvelle University Paris 3. 

Jan Postma has been with the Museum since 2001 and was named Chief Financial Officer in 2008. Prior to joining the Museum, Postma worked in investment banking at Merrill Lynch. He received an MBA as a Baker Scholar from Harvard Business School (2005) and a BA (1999) in economics summa cum laude from Williams College. Postma also is a member of the Economic Club of New York and serves on the board of Recess, a Brooklyn-based arts organization.